Brocade Autumn · maple
秋Aki · Autumn
弐
影

攝影

PHOTOGRAPHY · 9 SERIES · 171 FRAMES
The engawa — the seam between inside and out. For nearly thirty years, a way of looking that has run beside the research: eleven series, keeping the light of every walk on film. Less a deliberate project than a slow record, pushed along by light and the seasons.
Autumn maple branch · Crimson Path
KOUYOU · CRIMSON PATH

The leaves not yet fully red,
the autumn already half gone.

The light falls at an angle and reaches only this low branch. Red is showing through the yellow, not yet at its deepest; behind it the wood stays dark and says nothing.

Photography is the other eye that runs beside the research — what the film keeps is the light of that day, the stillness of that moment. This eye is quieter than words.

010 · CRIMSON PATH · KOUYOU
弐の壱
系

系列

SERIES · 10

Ten series, each with its own place and window of time. Gathered together, they read like a slow almanac. Tap any series to leaf through every frame.

寫真は、
記憶の
器である。

For me, photography is a way of looking and of telling. For nearly thirty years it has run beside the research — one reaching in through words, the other through light.

The work falls into eleven series: Spring, Summer, Autumn, Winter, Tideline, Landscape, Street, Xpan, Silver Halide, Lisbon, and Singapore. Less a deliberate project than a record pushed along by light and the seasons.

Together they form a slow way of looking — quieter than words, warmer than data.

弐の弐
記

關於

ON PHOTOGRAPHY

Why I photograph, how I look, how the eleven series grew — a footnote to myself.